2025
Weekend writing residency curated by Maria Dada and Mariana Marangoni
2025
In this interview, Ana Meisel interviews Batool Desouky, a computational artist who is reimagining computation through analog processes, community organizing, and combinatorics.
Photo by Ana Meisel
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Mawred, 2025
The conversation explores the ethics of generative AI technologies in relation to artists’ creativity and intellectual property rights. In conversation with Ameera Kawash,
Batool Desouky, Laila Shereen Sakr, Miriyam Aouragh
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EASST-4S 2024 Amsterdam: Making and Doing Transformations
2024
This panel takes a critical look at digital "cloud" infrastructures and how to counter their centralised corporate models. We look to how collectives and communities are making transformations in infrastructures as system admins, forming protocols and ways of doing otherwise.
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2024
A series of workshops lead with Batool Desouky and George Simms for PhD students at the around forming and maintaining a knowledge base for your research in obsidian.
ServPub as a project and as a network of technical and social components. We will also take you through the technical setup and include a working session on one of the nodes of the server network to demonstrate these methodologies in practice
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2023
Organised by Anna Shams Ili, Laura Lisauskaite and Maya Hertz
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2022
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published by Minor Compositions (2026)
The book emerges from collaborations involving In-grid, Minor Compositions, noNames, Shape, and Systerserver, with contributions from Constant, Creative Crowds, Hackers & Designers, OBF Experimental Publishing Group, TITiPI, & Varia.
Produced with the support of Open Book Futures (OBF) Experimental Publishing Group. Book cover Design by Artemis Gryllaki (Systerserver). Hand-drawn illustration: Mara Karagianni (Systerserver)
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Ormside Projects, London
2025
Performance adaptation of the short narrative fiction text Eternal Flame in collaboration with subsignal (Thomas Rosser), at in-grid collective’s In-cognito night. Still from video by Alfie Johnson.
mixed media on paper
60 x 60 cm
exhibition view, Hypha Curates, London
2025
Curated by Cathy Wills, photo courtesy of Hypha Curates.
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2025
Gathers the works of 31 artists from 13 Arabic-speaking countries, with literary contributions by 24 commissioned writers from across the region and its diaspora.
Edited by Yasmine Rifaii & Nadim Choufi, Comissioned by Lebanese feminist collective Haven for Artists.
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2025
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mixed media on paper, conductive thread, battery, LED
100 x 100 cm
2024
Exhibition view, Hypha Studios, London, 2024
Curated by In-grid collective, photo by in-grid
2024
Produced with the support of the Imagine Fund, Barbican Centre and exhibited at the fund launch at the Barbican garden terrace
Avalong Cafe, London
2024
Performed at In-grid Real Bodies 2.1
Guildhall School of Music and Drama
2024
Performed as the opening act for the Live Electronic Ensemble
batooldesouky@riseup.net
They have presented work at A Moving Feasting, Hypha Curates (2025), Imagine Fund, Barbican Centre, London (2024); Loosing The Plot, Hypha Studios, London (2024); Guildhall School of Music & Drama, London (2024); NEoN Digital Arts SCIO, Dundee (2022); Toppling, SET Woolwich (2022) and CTM Festival Research Networking Day (2021). They have published in Leonardo Journal (June 2023) and were resident with Cursor Mag "Off the Grid" Camp (2023) and Arebyte Gallery, London (2020). They were awarded the Arts Council England DYCP fund (2022/23) and SET Studio Award (2021).
Programmoire: Refiguring Witchcraft for a Creative Agency via Computational Art Practice, Leonardo Journal, MIT press, 2022
Finding Saturn; experiments in Tech-magic and the boundaries of work, Perpetual Postponement
2021
Off Grid, Cursor Mag Coding Camp, Blackland Farm, Sussex, 2023
Homebound Residency, Warehouse421, Abu Dhabi (remote), 2020
In-Grid, residency at Arebyte Gallery, London, 2020
2023
Free Studio Prize, SET Studios
2021
Grants for Arists, Mophradat, Brussels
2021
Creative Robotics Bcs, Creative Computing Institute, UaL
since 2023
MFA in Computational Arts, Goldsmiths, University of London,